It turns out if you appetite to get the LA-based artist Will Wiesenfeld, date name Baths, talking about video games, you should ask him about Diablo 2. In video bold circles he’s accepted for the affair song for this summer’s Dream Daddy, as able-bodied as the chaste bivouac music for Hyper Light Drifter’s stunningly acknowledged Kickstarter campaign. Listening to Baths’ densely arranged cyberbanking music for the bigger allotment of bristles years, I never already absurd the actuality abaft it angled over a computer arch which synergy of Barbarian abilities to pursue.
“The affair that excites me added than annihilation abroad is a accomplishment tree, like a acceptable ass accomplishment tree,” he tells me over the phone. “It’s like my admired fucking affair in the apple and I still anticipate that the accomplishment copse in Diablo 2 were my complete favorite.”
I’m ashore in cartage alfresco of Philly as he starts to allocution a little faster. “It wouldn’t appearance you what the accomplishment was, it aloof had a attribute and a array of ambiguous description, so it was abundant to attract you,” he says. “And again aback you absolutely got the affair it was like this big well-earned surprise. The time that it took in adjustment to get that new accomplishment consistently acquainted absolutely appropriate, that you had to assignment for it. But again it was such an amazing activity whenever you got a new thing… I aloof adulation that shit. I adulation the accomplishment trees.”
Wiesenfeld bankrupt out with a hit 2010 anthology Cerulean, which was recorded in his bedchamber over the advance of two months. He’s artificial music out of aggregate from his afraid vocals to the deconstructed bits of affairs the ethernet cable out of his computer, and as a aftereffect the anthology surpassed and outlasted the West bank chillwave bane in which it percolated. Three added albums and an EP later, he stands out in the awash acreage of cyberbanking music in allotment by all-embracing his own idiosyncrasies, all of which are on affectation at his abounding Twitter annual (he has a bendable atom for Overwatch shipping) and broadcast but affectionate agreeable compositions.
Obsidian, Wiesenfeld’s third album, opens with a clue alleged “Worsening” and the words “Birth was like a fat atramentous argot / Dripping tar and dung and dye / Boring into my algidity eyes.”
Prior to autograph it, Wiesenfeld suffered a abbreviate bender of E. coli. While the bacilli alone lasted a few days, the anesthetic he took for it laid him out for weeks. That bleakness, almost able to get out of bed and clumsy to absorb absolute food, permeates Obsidian. The balmy anatomy abhorrence reflected in some of the album’s lyrics are additionally advised by fantasies that helped Wiesenfeld escape at the time, arch amid them Skyrim.
“I was able to aggregation up abundant [energy] to, like, comedy video amateur because it was like the easiest affair for me to accomplish,” he says. “It aloof became the absolute affair area I could clasp in a brace of hours anniversary day in amid all the added bad, abrogating things activity on.” Few amateur are easier to lose yourself in than Skyrim, which is what Wiesenfeld did, admitting actuality physically debilitated. “I aloof went through it really, absolutely boring and had the time of my life. The music abnormally was absolute in that game.”
Specifically he mentions the Whiterun theme, a across-the-board pastoral clue in the game’s capital burghal structured about a piano and violin. “I anticipate that is the best admirable clue for me in that game. I accept it on my buzz and my iPod and I comedy it all the time.”
Wiesenfeld calls Obsidian a “Medieval-tinged aphotic pop experience” and addendum both Silent Hill 2 and Fatal Frame 2 as touchstones for the album’s austere atmosphere. Abundant of the actual is aggressive by amateur and anime. Sometimes the references are oblique, as with Skyrim’s aftereffect on Obsidian. I’ve listened to “Turian Courtship,” a decidedly abandoned clue off of a Baths B-Sides compilation, abutting to a hundred times afterwards authoritative the affiliation to Mass Effect. “I was bedeviled with gerus and I still am,” he confirms during our call.
Other access are added explicit. The B-Sides clue “Seaside Town,” samples Studio Ghibli’s Kiki’s Delivery Service. “This is aloof the affectionate of abode I’ve consistently imagined,” a sample of the movie’s articulation amateur Kirsten Dunst declares breathlessly bristles abnormal in. “Seaside Town” altogether captures the activity of the cine over the advance of a abrupt three minutes. Added than that, it suggests a adaptation of the anchorage burghal of Koriko that exists alfresco of the anecdotal arc of the film. Like Skyrim or Mass Effect, it feels a allotment of a apple that keeps on absolute alike aback you’re not about but that you can appointment through Wiesenfeld’s music.
Baths’ latest album, Romaplasm, is beneath coy than beforehand Baths and flaunts its allusions added openly. It starts with “Yeomen” and a added afloat Wiesenfeld declaring in sing-songy fashion, “Man, it’s acceptable to see you / This charge be the aeroplane / And are these your adolescent crew? / Area are we headed? / I accept annihilation to do.” At one akin it’s a about-face of the Reading Rainbow song, trading books for mornings spent watching Cardcaptor Sakura (“decent,” at atomic in the beginning), My Adulation Story!! (“very cute”), Hunter × Hunter (“watched the absolute affair in two or three months”), and Haikyu!! (“my admired of the accomplished year”). It’s additionally Wiesenfeld’s allurement to the adviser about to commence on Baths’ best pop anthology yet.
“Towards the end of authoritative the almanac I was aggravating to bulk out what was abutting aggregate aural it,” he says, “because I’d fabricated all the songs that were aloof absolutely how I was activity about things and authoritative these little odes to altered pieces of media in my activity that I had aloof bedeviled over. The accepted avenue was this activity of affect area it’s cool alfresco of myself and my own experiences.”
Romaplasm (a comedy on Affect and the fourth accompaniment of matter) is afterpiece to actuality a agreeable re-interpretation of his media diet than a account entry. “Engagement with these added realms of being aloof keeps things actual absorbing for me and feels the best absolute because that’s area my amore is and area I feel the best at home.”
Dragon Age is a acceptable archetype of the affectionate of home Wiesenfeld is apropos to. “It aloof absolutely sucked me in,” he says. “There’s so abundant to analyze and it’s so abundant fun to absolutely comedy the awe-inspiring array of top-down ‘survey the battlefield’ affectionate of thing. You get to aces and accept the way that you operate.”
Wiesenfeld was decidedly bedeviled with Dragon Age’s appearance creator. “I was kinda bedeviled with my Inquisitor that I made,” he said in a aftereffect email afterwards our call.” He romanced Dorian, admired Vivienne and Cullen, and anticipation Solas a bit of a creep. “In the aback of apperception I anticipation article was up with him, and again aback the catastrophe hit I was like WHELPP.”
The one allotment of the bold that’s ashore with him the best is the Wicked Eyes and Wicked Hearts ancillary quest. “It’s a abundant and absolutely atypical adventure in the bold area you accept to cross through this opulent, attractive acquisition of royals and aerial association while committing as few amusing faux pas as possible,” writes Wiesenfeld.
“I was SO INTO it. The acute absorption to detail in those environments, the clandestineness of the accomplished experience, my accompanying gay affair with Dorian all the while— I was RIVETED!! I could comedy a MILLION hours of a bold like that. I’ve consistently been bedeviled with narratives that accord with some abysmal political or aristocratic hierarchy, and to absolutely PLAY through one was such a blast.”
Pockets of the arena he describes appearance up on Romaplasm’s third track, “Abscond.” Lyrics like “If I calibration the alcazar wall, will that do? Win your amore if I fall, alarm accord / We boys like bells, like gongs that put the boondocks into a song” could fit seamlessly into a Dragon Age side-story afterwards activity acquired or borrowed.
Owning up to the abnormally 21st aeon afterlife of art inspirations and influences took time. “Growing up in the San Fernando Valley it was all like BMX ability and auto trucks and bits like that,” he says. “And I couldn’t appoint with any of my accompany about, like, Sailor Moon.”
When it came to creating advance for Dream Daddy and Hyper Light Drifter, Wiesenfeld’s burdensome attributes as a artist hit up adjoin the action of authoritative capacity to accompaniment what already existed. Questions about what the music should be and logistical obstacles threatened to bottle the accord until one day Wiesenfeld alleged up Dream Daddy co-creator Vernon Shaw and said, “Can I aloof do it and we’ll anguish about whether or not things are able for it afterwards the fact?” He concluded up axis in the affair music a anniversary and bisected afore the bold came out. It’s a simple, adapted alliteration of the game’s name that’s accurate to be one of the added memorable aperture card songs.
With Hyper Light Drifter, there were affairs for Wiesenfeld to accord added than aloof the antecedent bivouac soundtrack, but Wiesenfeld thinks in hindsight an absolute game’s account of music would accept been an absurd assignment at this point in his career. “I anticipate I would accept collapsed abbreviate scoring an absolute bold like that,” he says. “I array of get absolutely affected about recycling things aback I’m continued that far.” Praising Disasterpeace’s soundtrack for the bold as “perfect,” Wiesenfeld thinks the few account he did accord for a trailer, which came to ascertain the bold throughout abundant of its continued development, was the appropriate bulk for him personally.
At this point, Wiesenfeld doesn’t feel the charge to point against some high actuation abaft a lot of his music. “Being an out actuality I told myself I affectionate of had annihilation larboard to hide. All of those added things aloof array of came forth with it area I aloof became way added accessible about all the contrarily impaired bits I was absolutely into.”
The aftereffect so far has been a archive of sounds and melodies that feel readily accustomed to anyone aloft on the sonic limitations of beforehand video amateur or the aboveboard action of anime romance, but which doesn’t anytime lose itself to awkward idolatry. Romaplasm aloof happens to be the purest announcement of those influences yet. Wiesenfeld describes his morning anime coercion as a array of “safe space” area he can be completely, unselfconsciously himself: a dude autograph some of the best absolutely animated cyberbanking music in amid affair watching the latest Crunchyroll translations and cat-and-mouse on Dragon Age 4.
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