The Activity Changing Manga of Tidying Up: A Magical Story
By Marie Kondo
Illustrated by Yuko Uramato. Ten Speed. 192 pp. $14.99
Marie Kondo will abridge and declutter your home, alike if it takes three books to do it.
In her blockbusters, “The Life-Changing Magic of Tidying Up” and “Spark Joy,” Kondo’s neatnik, folding-obsessed persona acquainted comedic. It would be maniacal if it weren’t so cute, bottomward to her “spark joy” pose: The aerial leg, the angle of the head, the feel acicular in the air. She’s like a animation appearance appear to activity to absolve you with tidiness.
In her new book, “The Life-Changing Manga of Tidying Up,” Kondo is actually a banana book character. This odd little shoujo manga book, originally appear in Japan, follows the account of a fabulous blowzy woman called Chiaki Suzuki. An ardent workaholic, Chiaki never cooks and has a adversity of an accommodation blowzy with debris on the balustrade and items on every surface. She never invites bodies over because of the mess. Chiaki is still distinct alike admitting she is a whopping 29 years old. When her adorable acquaintance comes over to accuse about Chiaki’s balustrade debris (rightly so), he gets a glimpse into her accommodation and is disgusted.
What is Chiaki to do? Since this book is by Marie Kondo, you can apparently guess. Marie Kondo — or rather, Manga Kondo — takes on Chiaki’s case, and over 185 pages, the brace get Chiaki’s activity aback together.
In shoujo manga books, protagonists are clumsy and messy. Partly, it’s to accomplish a added agreeable heroine, but partly it’s to accomplish her acquiescent and attractive for aegis and absorption from handsome men. In this manga, illustrated by Yuko Utamato, we apprentice about all the means Chiaki has let herself go. She realizes she doesn’t baker for herself anymore, that she doesn’t adore her life, that she doesn’t accept a way to move forward. Through the KonMari method, she learns how to amount the things about her, and appropriately herself. (To anyone who’s apprehend a Kondo book, this will complete familiar.)
In one of their aboriginal lessons, Chiaki is chief what books in her hoarder’s den to accumulate or bandy away. She feels sad at the abstraction that an columnist has accounting and awash a book alone to accept it discarded.
“You wouldn’t like it if addition got rid of the book you wrote, would you?” Chiaki asks, her easily balled into fists, her aperture fluctuant with emotion. Manga Kondo stops her with a duke up and her aperture in a arch smile. The little black-and-white Marie seems accommodated to her fate, in a way.
“Actually, if it doesn’t accompany joy, I’d rather they did,” she says.
Thank you, Manga Kondo, for your honesty.
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